Lists like these are the reason that people take out loans to study at mediocre 4 year schools and then wonder why nobody cares about their degree. Either way, I am sure that a lot of the schools on the list offer 'good training.' But a degree from the University of North Dakota just isn't going to open the same doors that a degree from one of the aforementioned American schools is going to. But I was under the impression that we were talking about independent conservatories that involve no actual academic classes. And William Esper's studio isn't even on the list.? America has some fantastic programs in actual universities such as Yale, NYU, UCLA, USC, Carnegie Mellon, etc etc (most of which aren't on this NAST list). At least half the list pales in comparison to even the lesser known accredited UK drama schools. Taking a look at some of the "accredited programs" on the NAST site. r/Theatre /r/Shakespeare /r/VoiceActing /r/RecordThis /r/TechTheatre /r/MusicalTheatre /r/TheArtifice /r/ScenesfromAHat /r/ActingNerds Offer your advice with imagination, honesty, and empathy. Assist with on-set and on-stage etiquette.Discuss solutions for character enhancement or realization.Discuss the mechanics of acting technique (Adler, Chekhov, Meisner etc.).For some reason this needs to be said: no piracy in the sub please.Any posts not following these rules will be removed. Any posts looking for headshot/typecasting/branding/age range feedback should be posted in the Thursday headshot sticky or /r/headshots.If someone is looking for feedback and you hit on them or simply tell them they're pretty, you'll get a 24-hour subreddit ban.If your project is for-profit and you are not paying your actors please do not post here. If you are looking to hire actors, we welcome the opportunity, but please be as specific as possible about project/ audition.We do encourage you to mention specific classes and teachers if someone is asking for referrals. Looking for a monologue? Please read this post first and be sure to follow the guidelines therein if you still need to post a request.No memes or comedic image/gif posts, please.Repeated or flagrant violations will result in a permanent subreddit ban. Any comments deemed insulting or abusive will result in a one-day subreddit suspension.Recommended Reading for Acting, Voice, Movement, etc.Her final appearance on Broadway was in 1946 when she appeared in He Who Gets Slapped. Stella Adler directed two plays on Broadway during the 1943-1944 season. Her stint in Hollywood was not overly successful as she preferred the scripts she was offered for the theatre, and she returned to New York City where she recommenced acting on Broadway and teaching drama. Working as an assistant producer with MGM, she was involved in DuBarry Was a Lady, Madame Curie, and For Me and My Gal.ĭuring this time she returned to work with Group Theatre in New York City until it broke up in 1941. Films she acted in included Love on Toast, Shadow of the Thin Man and My Girl Tisa. In 1937 she moved to Hollywood acting in a variety of films. Upon her return to the Group Theatre, she began giving acting classes. Stella Adler and Cluman traveled to Russia in 1934 and on the way, she stopped in Paris where she had the opportunity to study with Stanislavski for five weeks.
In 1931, she joined the Group Theatre in New York City and worked alongside the founders Cheryl Crawford, Lee Strasberg, and Harold Clurman. The ALT gave her the opportunity to familiarise and learn more about Stanislavski’s acting method. In 1925, she joined American Laboratory Theatre in 1925. Around this time Konstantin Stanislavski was visiting with the Moscow Art Theatre, and she was impressed with his ideas and acting method. She then appeared on Broadway in The World We Live In. After a year she returned to New York City. Stella Adler first appeared on stage in London in 1919 playing the role of Naomi in Elisa Ben Avia, a show produced by Jacob Adler’s company.
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